Media & Entertainment

Online game developer Mythic Entertainment used Autodesk® 3ds Max® and Autodesk® Kynapse® software to reinvent a legendary game with Warhammer Online: Age of Reckoning.

Sparx Animation Studios Uses Autodesk Maya to Assist Exodus Film Group and Director Anthony Leondis to Bring Igor to Life

Channel 4’s Skins achieved top ratings and critical acclaim for its controversial storylines with themes like anorexia, drugs, underage sex and parental uselessness. Produced by Company Pictures (Shameless, The Life & Death of Peter Sellers, Mansfield Park), Skins was aimed at an audience familiar with sophisticated visuals, so to be a success the post work had to be spot on.

Located in the centre of Amsterdam, one of the world’s top creative hotspots, W!Games is creating exciting, triple A quality videogames for a mass-market audience.

Rubicon, headquartered in Amman-Jordan is one of the pre-eminent production companies in the Middle East, active in interactive multimedia, 2D and 3D animation and high-powered CGI productions.

CG artists are constantly pushing the boundaries of reality. Compare early examples with The Lord of the Rings trilogy or the newly released film The Golden Compass and the leaps that the industry has made are thrown into sharp relief

Italy’s biggest theme park Gardaland unveiled its new 4D cinema theatre last year with the 3D stereoscopic movie Time Voyagers.

Satirical puppet show Spitting Image was a huge hit when it aired on ITV between 1984 and 1996, running to more than 100 episodes.

Aedas Architects is the fourth largest architectural practice in the world, employing more than 1,900 staff in 25 offices across the globe.

Naughty Dog is harnessing the power of Autodesk Maya to create an all-new franchise for the Sony PlayStation 3.

KPBS seamlessly meets HD effects and editing needs for broadcasting TV.

Brickyard VFX goes the distance in HD with Autodesk Solutions.

Autodesk’s Discreet software fuels growth at London’s Absolute Post.

Australian director and animator Anthony Lucas is going nowhere but up these days.

While ILM received 2005 Oscar® nominations for "Best Visual Effects in a Motion Picture" for War of the Worlds and Chronicles of Narnia: the Lion, the Witch, and the Wardrobe, this prominent visual effects company has proven itself a winner through its history of groundbreaking visual effects work.

To achieve such artistic freedom, The Orphanage, a leading visual effects, production, and technology company based in San Francisco and Los Angeles, has integrated Autodesk® Maya® software and Autodesk® 3ds Max® software into every stage of its pipeline, from modeling to rigging to animation to rendering.

With over 1,400 visual effects shots, the workload associated with The Chronicles of Narnia was divvied up between three major visual effects companies, Sony Pictures Imageworks (SPI), ILM, and Rhythm and Hues.

Autodesk checked in with London-based visual effects studio Double Negative to find out more about their stunning work on the highly anticipated film The Da Vinci Code. Find out how they used Autodesk Maya.

Autodesk congratulates visual effects facility Weta Digital, who crafted champion visual effects for the Oscar-winning film King Kong. Autodesk also congratulates Industrial Light & Magic and Sony Pictures Imageworks, for shaping the Visual Effects category nominated films The Chronicles of Narnia: The Lion, the Witch and the Wardrobe and War of the Worlds.